Glow Magazine | Beauty Report September 2014

Glow Magazine | September 2014 Issue, Beauty Report - Keep Lips Au Naturel

Glow Magazine | September 2014 Issue, Beauty Report - Keep Lips Au Naturel

Keep the Lips Au Naturel

To get a natural nude lip, use a light layer of foundation over the perimeter of your month to highlight and prime. Apply a nude lipstick to the centre of your lips and work outward with your finger. If you have a slim lip shape, build them up first with a nude pencil.

- Dino Dilio

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The Star | At home with his 'Diana Ross' decor

A mechanic's set of tool drawers anchors celebrity makeup artist Dino Dilio's kitchen desk

A mechanic's set of tool drawers anchors celebrity makeup artist Dino Dilio's kitchen desk

Original article from The Toronto Star | By: Rita Zekas Special to the Star, Published on Fri May 02 2014

Original article from The Toronto Star Click Here

I am so not ready for my closeup.

I am bare-faced — not even a smidge of concealer — as I step into celebrity makeup artist Dino Dilio’s mid-town apartment. It feels like the dressing room of a Hollywood diva: specifically Diana Ross.

The back wall of his living room/makeup studio is complete with a bulb-ringed professional mirror; racks of makeup and accessories; and framed posters of Ross and The Supremes, with a sprinkling of Josephine Baker and female impersonator Craig Russell.

His apartment in the Yonge-Church corridor is one-bedroom, one bath, living room-cum-studio and is just over 700 square feet. “It was built in the mid ’50s, the first luxury apartment in Toronto,” says Dilio, who lives there with his cats Max and Sam.

He has been here over 20 years. “It is close to the subway, there is a lineup of taxis at the ready. I don’t need a car,” Dilio explains.

His celeb client list includes everyone from actress Kim Cattrall to Barbara Amiel Black, wife of disgraced former media baron Conrad Black. He has worked with singer-actress Diahann Carroll, Hollywood movie actress Rachel McAdams, home décor mogul and model India Hicks, actor Kevin Spacey, CBC broadcaster Jian Ghomeshi, Sex and the City author Candace Bushnell, and even Robin Leach, Mr. Lifestyles of the Rich and Famous.

Dilio has been Cityline’s makeup artist and expert for 23 years. He’s served as national makeup artist for Revlon Canada, Murale, Shoppers Drug Mart and Hudson’s Bay. He’s the former creative director and senior makeup artist and manager for the city’s seminal Mira Linder Spa. He is author of the makeup manual Let’s Face It. He has his own line of cosmetics called DDB using the same manufacturer as Chanel, Bobbi Brown and NARS. And he currently teaches makeup artistry at George Brown.

Dilio is blasé about celebs. “Half the time I didn’t know even who I was doing,” he swears. “I put powder on Justin Bieber’s nose and I didn’t know who he was. Same with Charlotte Church and Chantal Kreviazuk.”

His wish list? “Diana Ross,” he says without pause. “She is from that old school. I got booked to do Tina Turner but she likes to do her own makeup to become ‘herself.’ It is part of the process of becoming that person who hits the stage.”

Dilio comes from the give-’em-the-old-razzle-dazzle school of home décor, which he describes as “exciting and elegant. Women feel comfy and at ease here — and so do men.”

But to be at ease in his apartment, they must also love disco.

“I made the disco ball chandelier. When the sun comes down, the whole room looks like a disco. I found the chandelier at a lawn sale and pulled it apart. I changed the plastic bits into crystal.”

Disco balls hang from his terrace railings and one sits in an ashtray on the black lacquered side table, which is bordered by two Ghost chairs.

Disco balls are a favourite of Dilio, who made a chandelier from this lawn-sale model.

Disco balls are a favourite of Dilio, who made a chandelier from this lawn-sale model.

Dilio gutted the kitchen and living-room areas. “I did everything, put in a parquet floor, stripped, stained and urethaned.” He painted the walls a shade of stone because “I needed something neutral to not change the skin tones and to make the art pop more.”

Club chairs make a comfortable corner  of the living room, highlighted by one of Dilio’s disco balls. 

Club chairs make a comfortable corner  of the living room, highlighted by one of Dilio’s disco balls. 

The living room coffee table doubles for both dining and makeup consultation. “A client comes over for a consultation with her makeup and I usually tell her to get rid of it. Get a better foundation, simplify. People are product junkies. You don’t need 17; use seven.”

His demographic is women aged 55 to 80. “They aren’t served properly in department stores or Sephora,” he says. “They don’t have the experience there to apply makeup to the mature face.”

But he has. Dilio has been doing makeup for more than 30 years, starting in his native Montreal.

“I watched the Avon lady come over and make up my mom and grandmother. When they were asleep, I’d play with that makeup and put it on myself. I hid it because it would upset my dad,” he says. “A friend of my mom’s was a former model and she was getting ready for the evening and I volunteered to do her makeup. She was impressed. I was 17.”

Dilio eventually found what he calls a “rinky dink” school to teach him modelling and makeup courses in the evenings. It was problematic because some of the nights conflicted with his TV viewing.

“Dynasty was on,” he laughs. “I told them ‘I can’t go tonight because I get more education watching Dynasty.’ And 30 years later I’m doing one of the stars (Diahann Carroll.)”

We move to the kitchen, which also serves as his office. His desk is fashioned from a mechanic’s set of red tool drawers, opposite the fridge with its Vegas showgirl magnet complete with feathers and pasties.

A Mastercraft work bench, topped by a chalkboard for quotes and recipes, extends the counter space in Dilio’s kitchen.

A Mastercraft work bench, topped by a chalkboard for quotes and recipes, extends the counter space in Dilio’s kitchen.

The counter with the butcher block top is a Mastercraft work bench from Canadian Tire. A blackboard hangs over it with the Andy Warhol quote, “Good business is the best kind of art.” “Every week I write a new quote,” Dilio says. “When I cook, I put the menu on it.”

On a ledge over the counter is what he calls his “tchotchke corner” that features goodies like a talking moustache and pet monkey. Above it all hangs a montage of rubber duckies à la Warhol whose colours match the striped rug in front of the sink. There is a caricature of Dilio with Diana Ross by illustrator Maurice Vellekoop. The white wall tiles are original, as are the heated subway floor tiles in the bathroom.

A caricature of Dilio with Diana Ross by Canadian illustrator Maurice Vellekoop.

A caricature of Dilio with Diana Ross by Canadian illustrator Maurice Vellekoop.

“When I moved in, the kitchen had a pantry,” Dilio recalls. “I ripped it all out. It is a corner apartment and I opened it up so I got a cross breeze.”

“I’m going to die here; I love it.” he vows. Unless he meets someone to take him away from all this.

“I have a dream to have a little house but I’ll keep this place as a pied à terre,” he muses.

And the shrine to Diana Ross will travel between both.

Code Red: In search of the perfect red lipstick

 
 

MARYAM SIDDIQI | 12/03/23 | Last Updated: 12/03/23 11:53 AM ET

Original article from the National Post Click Here

The thing with French women is that they can go three days without a shower, then throw on some wrinkled clothes, tousle their unbrushed hair and slap on some red lipstick and still look chicer than any other women on the planet. I want to be able to not shower for three days, you know? So, I head to the cosmetics department at The Bay to find my red.

While there is a red for everyone, it’s recommended getting help to find the right one for you, because to the eye, red is red is red, but on your lips, red can be purple or pink or orange or … you get the idea. I quickly found out the hard way — trying on a handful of reds at home — that the wrong red is something that should never be seen in public.

Fortunately, I have help. Dino Dilio, The Bay’s national makeup artist and CityLine‘s resident beauty guru, is my guide through the sea of makeup counters. I come clean with him before cleaning and priming my lips for the makeover: My “lipstick” of choice is a white tub of Blistex lip balm. I’ve never worn the stuff; I hate the smell of it, and the feel of it. Like the pro that he is, Dilio is unfazed.

“Lipstick is the first fashion that you can adopt to your face,” he explains. “But red is a commitment. It’s worse than dating.” I believe, in general, that dating is a huge pain in the ass but dammit, I am ready to go steady with red, so Dilio and I head to the Chanel counter, a brand that, he says, is known for its reds. He also lists Yves Saint Laurent, Dior and Lancome — all French brands, I point out. Dilio explains that the makeup routine of French women consists only of face powder, mascara and lipstick. Simple, chic and exactly the same (minimal) time commitment I want to put into my routine.

Dilio pulls out a dozen or so reds and tests about eight of them on his hand to find the temperature of each shade. Reds can be split into three groups:

Clear Generally universal reds, like fire engine or poppy, that look good on everyone.Blue Berry and wine shades that look best on darker skin tones (olive, brown, black). This temperature is also ideal for those with yellow or darker teeth. Blue reds will make teeth look whiter.Warm Oranges, rusts and auburns that are ideal on fair skinned women with light hair and eyes.

With olive skin, dark hair and eyes, we quickly eliminate most of the options from the colour patches on Dilio’s hand as being too orange or pink. We settle on a berry red called Excessive from Chanel’s Rouge Allure range, which is also creamy (texture is another element to picking the right lipstick). Dilio knows I am a gloss kind of girl, so picks a lipstick with moisture. For those looking for a matte lip, he recommends Nars’ Velvet Matte lip pencils, which essentially are fat crayons that do the job of both a pencil and lipstick.

For someone wanting a sheer look, Clinique’s Chubby Stick is ideal — a delicate colour that’s easy to apply. Then the real test: Dilio asks me to apply the colour. I hesitate, explaining that I have no skills and will look like a clown. Rightly so, he is unmoved. I put it on my lower lip, rub my lips around and … look like a clown. I put one more coat on, and then Dilio takes over, fixing my sloppy edges with a dab of foundation on a brush.

“You want to start in the middle to prevent bleeding at the edges and you always want the corners to join. You want one mouth, not two lips.” he explains. “Use a pencil to finish around the edges. If you’re not artistic, don’t start with a pencil — it’s the worst thing to do.” The lip pencil should be half a shade lighter than the lipstick — the right shade will blend right into the lipstick. Dilio lines my lips with the pencil and colours in about half of each lip as well. Another light coat of lipstick applied with a brush and I am ready for the reveal.

“Oh my god, that’s a lot of red! I can’t do this!” is what I thought as I held a mirror up to my face. Either I grimace or Dilio reads my mind, because he quickly ushers me to a full-length mirror. “What you want is a hint of colour, not a slap in the face,” he says. And sure enough, when I look at the whole picture, I see a pop of colour, and nothing remotely resembling a clown.

Interestingly — and importantly, for me — I couldn’t feel the lipstick, or rather it didn’t feel any different than a fresh coat of lip balm. And, amazingly, it didn’t smell. At all. “There are more cases of sensitive skin than ever before,” Dilio explains. “Companies have caught on that anything with a fragrance means no sales.”

I try my hand at wearing red (around my house) the next day, and already I’m a bit better at applying it and a bit more comfortable wearing it. A couple more practice runs and, mon dieu, I’ll be ready to stop showering, I think. But I have to confess: I also bought Chanel’s gloss version of the lipstick (it’s red, just not R-E-D). Am I ready to make the permanent jump to red lipstick? Clearly, I have commitment issues. C’est la vie.